Rug WikiRug Wiki

Rug Wiki

The reference encyclopedia for oriental rugs, styles, origins, production, and buying advice.

96 styles · 11 regions · 32 deep-dive articles

What the Rug Wiki is

The Rug Wiki is a free online encyclopedia of oriental rugs, from Tabriz to Nepal rugs, from knotting to care. We combine editorial style profiles with interactive tools: a seven-part beginner's guide, a style quiz, side-by-side comparison of up to four styles, and a glossary of every technical term. All content is hand-researched, regularly updated, and illustrated with real knotting examples from the Morgenland Rugs catalog.

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Origin and knotting regions

Oriental rugs come from a belt that stretches from Morocco through Turkey to Nepal and China. Across some 6,000 kilometers as the crow flies, dozens of tribes, cities and manufactories have knotted their own visual language over the centuries. The overview of origin regions brings eleven knotting countries together on an interactive map.

At its core sits Persia: over twenty distinct styles in itself, from the fine manufactory in Isfahan to the nomadic Gabbeh from the Zagros Mountains. Turkey has been knotting since the 13th century, most famously in Hereke, Kayseri and Ushak. The Caucasus produced the geometric mountain rugs from Armenia, Azerbaijan and Dagestan into the early 20th century. Afghanistan stands for deep-red Turkmen patterns and Khal Mohammadi, Morocco for the minimalist Berber rugs of the Beni Ouarain. At the eastern end, Nepal, India and China carry the tradition forward with designer pieces and collector items. Anyone who knows the province or tribe can place every rug in its homeland.

Rug styles and rug types

The Fibel offers over ninety style portraits in two sortings. Alphabetical seekers will find everything under All rug styles. Those looking by character, whether fine and representative, robust and nomadic, or modern in interpretation, will find the classification under Rug types.

The finest Persian city productions are Tabriz, Isfahan and Nain. Here knot densities of 500,000 to over one million knots per square meter come together, knotted on cork wool with silk accents, in patterns that outlast several generations of a workshop. The counterpart is the nomadic styles: Gabbeh with its high, soft pile from the Zagros Mountains, Bidjar as the most robust of all Persians, Kelim as a pile-less flat weave with its own visual language. Between these poles stand the hybrid styles. Ziegler combines oriental patterns with Western-muted color, Berber rugs from the Atlas reduce the pattern to natural-dyed diamonds. The classic umbrella terms lead to Persian rugs and nomadic rugs, exclusive pieces to silk rugs and antique and semi-antique.

Quality, material and craft

Four criteria decide the quality of an oriental rug: knot density, material, dye and workmanship. What knot density really means and how the LA grades of the Nain classes differ is explained in the detailed essays of the value overview.

With material, it comes down to the interplay. The material overview classifies the main fibers. Virgin wool carries most styles, silk gives fine accents their characteristic depth, cotton is almost always found in warp and weft because it does not stretch. The knotting technique itself is covered in the production section, step by step under knotting, and the individual knot types such as the Senneh and Ghiordes knots in their own essay. Age and authenticity can be read clearly from the colors. How that works is shown in recognizing natural dyes, and whether natural dyes actually justify the price is settled in the comparison natural dyes versus chemical dyes. Anyone who values verifiable origin will find the most important standards under seals and certification and in the direct comparison hand-knotted versus machine-made.

History, symbols and meaning

The art of knotting is more than 2,500 years old. The oldest evidence comes from the Pazyryk rug from the Altai Mountains, dated to the fifth century BC, today in the Hermitage in Saint Petersburg. The history of knotting leads from there through Achaemenid Persia and the Safavid manufactories to the workshops of the present.

Every pattern carries its own meaning. The tree of life as the oldest symbol connects earth and heaven. The boteh motif, which became the paisley pattern in the West, stands for fertility and life. The medallion orders the entire composition toward the center, the protective symbols ward off the evil eye in the nomadic tradition. The full visual world sits under symbols and patterns. Behind the great manufactories stand family names that became brands in their own cities: Seirafian from Isfahan, Habibian from Nain, Haji Jalili from Tabriz, Mohtesham from Kashan. These and fourteen further records are gathered in the master knotters section. The color theory too follows its own tradition: madder red from the root, indigo from the plant, black from iron salt and walnut shells.

Buying, value and care

Anyone wanting to buy an oriental rug starts with the buying guide. There, the most important decisions, from format and material to dealer check, are structured clearly. The question why genuine rugs are expensive is answered in the essay of the same name with concrete figures from knot count, labor hours and material use. The value overview bundles seven further texts on knot density, natural dyes, lifespan and vintage as an investment. The special case of antique pieces is covered by recognizing valuable Persian rugs.

Care preserves value. The care overview covers everything from regular vacuuming to special cases. Three dedicated guides address the most common damage scenarios: removing red wine stains, removing coffee stains from the rug and the proper cleaning of wool rugs. Inherited pieces without provenance can often be dated. The guide how old is my rug provides the method. How an oriental rug finds its way from the workshops of Iran, Pakistan and Morocco into German living rooms is described first-hand by the Speicherstadt Hamburg theme.

Tools and overview

Three interactive tools support the selection. The style quiz suggests three matching styles after five questions on color, pattern and mood. The style comparison places up to four styles side by side with all relevant facts. Anyone who already knows the opening question can find prepared direct comparisons, for example silk versus wool, Nain versus Isfahan or Persian rug versus oriental rug.

The glossary explains over fifty technical terms in alphabetical form, from Abrash to Ziegler knot. The seven-part beginner guide leads from the term oriental rug to quality assessment. Those who have a specific rug in front of them and want to classify it start with the recognition overview. Eight diagnostic articles on authenticity, age, silk, Abrash and signatures are gathered here. Machine-woven pieces and their differences from hand-knotting are covered in the dedicated section woven rugs.

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